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This is the transcript of a dialogue or message file, a file which contains the dialogue of a non-player character in a given game or ingame messages related to scripts and items.

Dialogue for Sid and Marty, the Corsican Brothers at the Golden Globes

Transcript

# 0. QUICK LOOK
{100}{}{You see one of the Corsican Brothers.}
# 0. LOOK
{150}{}{You see a well-dressed man who smells like Vaseline. For some reason, he strikes you as faintly reptilian.}
{151}{}{You see Marty, one of the Corsican Brothers. His hair is slicked back, and his face is covered with a thin sheen of sweat.}
{152}{}{You see Sid , one of the Corsican Brothers. He is wearing a toupee, and he is wearing dark glasses.}
# 1. FALLOUT2 = ENCLAVE_DESTROYED (WTG)
{200}{}{Hey, }
{201}{}{}
{202}{}{Yo, }
# 2. POWER ARMOR (WTG)
{210}{}{How the hell do you go to the bathroom with that thing on?}
{211}{}{Is that some new kind of vibrator?}
{212}{}{Is that some new body condom?}
# 3. PORN STAR (WTG)
{220}{}{You're more eruptive than a volcano on a bad day.}
{221}{}{You're a star. A SHOOTING star.}
{222}{}{You're a star. A SPURTING star.}
{223}{}{You're a star. A THROBBING star.}
{224}{}{You deliver a performance worth a thousand hard-ons.}
{225}{}{}
{226}{}{You're a star. A shining star.}
{227}{}{Hey, welcome back!}
{228}{}{Come chat with me for a while.}
{229}{}{Talk to me about business.}
{230}{}{Come again!}
{231}{}{Know what I'm staring at? I'm staring at the foxiest bitch in the whole world.}
{232}{}{}
{233}{}{Hey, welcome back, honey-tits!}
# 5. MADE MAN (WTG)
{245}{}{Uh-oh. A suit. Everybody on their toes.}
{246}{}{Hello, }
# 6. PRIZEFIGHTER (WTG)
{250}{}{Hey there, you sexual Hercules!}
{251}{}{Check out those pecs. Flex a few times.}
{252}{}{Ever thought about a career in the business, }
{253}{}{I could get you set up for a few scenes, if you want. Just think about it, okay?}
{254}{}{Nice fighting style you got. How's your bedroom style?}
{255}{}{You're welcome here anytime. Say, if you want to talk business…}
{256}{}{Say, }
{257}{}{Come again!}
{258}{}{Battle on, Xena.}
{259}{}{Nice tight stomach you have there. Like a springboard.}
# 8. SLAVER (WTG)
{270}{}{We're all stocked up, slaver.}
{271}{}{These slaves are mine, slaver. Watch those eyes.}
# 9. FLOAT/CLICK [COMPANION: ROBO-DOG] (WTG)
{275}{}{Uh, nice robo-dog, but we don't do those kind of pictures. Yet.}
{276}{}{That robo-dog housebroken?}
# 10. FLOAT/CLICK [COMPANION: ROBOBRAIN] (WTG)
{280}{}{Whoa. Check out the treads on that bot.}
{281}{}{Is that one of those robotic vibrators I've heard about?}
{282}{}{That robot o' yours interested in film?}
# 11. FLOAT/CLICK [COMPANION: MARCUS] (WTG)
{290}{}{Look, take your mutant friend outta here. We don't do those kind of movies here.}
{291}{}{Frankly, I don't think any of our actresses could handle your mutant friend.}
{292}{}{We already did one mutant picture - mutant ate all the actresses. And I mean that in the conventional sense.}
# 12. FLOAT/CLICK [COMPANION: LENNY] (WTG)
{300}{}{Keee-rist! Get that ghoul stinkard outta here before the smell latches on.}
{301}{}{We ain't interested in ghoul pictures. Get him outta here.}
{302}{}{*Phewww* That ghoul stinks ta high heaven! Get an air freshner in here before I pass out.}
# 13. FLOAT DIALOGUES (WTG)
{310}{}{Well, the lighting is all off…}
{311}{}{Like anyone is gonna CARE if the boom is in the shot!}
{312}{}{Can we concentrate on the booty, please?}
{313}{}{Shoot's gone on too long. Going broke paying fluffers…}
{314}{}{He wants WHAT?!! Tell him to screw himself and the brahmin he rode in on!}
{315}{}{Things were better in the days of implants…}
{316}{}{The overhead is going to kill us.}
{317}{}{Loved that Diggler guy.}
{318}{}{The guy is sexual dynamite!}
{319}{}{I'm NOT going to shoot you like this.}
{320}{}{He's a missile! He's a rocket! He's just taking off, Sid, I'm telling ya!}
{321}{}{Abso-frigging-lutely!}
{322}{}{You tell that bastard he can go to hell!}
{323}{}{Look, if that candy-ass comes around again…}
{324}{}{Wham-bam-thank-you-ma'am.}
{325}{}{If that don't beat all…}
{326}{}{No skin off my ass.}
{327}{}{You tell that chicken-shit son of a bitch, you TELL him…}
{328}{}{Well, then he caught a case of seam squirrels.}
{329}{}{That's not an MP. That's a *YP.*}
{330}{}{20 minutes, babe.}
{331}{}{Let's see: (Checks script.) Enter Randy, he and Sylvia go at it…Christy goes to bathroom, Peter joins her, they go at it. Enter Ron…}
# 14. INTRO (NORMAL) (WTG)
{345}{}{The Corsican Brothers at yer service… (Glances up, irritated, then does a double take.) Hey...you're the one from before - you were looking to fluff, right?}
{346}{}{The Corsican Brothers at yer service… (Glances up, irritated.) You again. Look, you interested in the fluffer
position or not?}
{347}{}{The Corsican Brothers at yer service… (Glances up, irritated, then does a double take.) YOU'RE the new fluffer?}
{348}{}{The Corsican Brothers at yer service… (Glances up, irritated.) You the new fluffer?}
{349}{}{Me fluf}
{350}{}{Me no fluf! Me tuff!}
{351}{}{Wander off}
{353}{}{Sure am.}
{354}{}{Actually, my spouse is.}
{356}{}{No. I'm here for Big Jesus Mordino's money.}
{357}{}{No. Sorry to bother you.}
{358}{}{Nooooooo. Sorry to bother you.}
# 15. ME fluff (UGLY) (14, 58)
{370}{}{Awright, brainiac. Pay's 5'er, 3 chips for one shoot. Get into the backroom and wax that fella's shaft.}
{371}{}{Shaft…he's one bad mutha --}
{372}{}{Do as man say}
# 16. SHAFT 2 (15)
{380}{}{Watch your mouth.}
{381}{}{I'm talking about Shaft!}
# 17. SHAFT 3 (16)
{390}{}{(Holds up his hands.) I can dig it.}
{391}{}{Go wax that fella's shaft}
# 18. ME fluff (GOOD-LOOKING) (14, 51, 54, 58)
{400}{}{Hmmmm. How much you bench, pal?}
{401}{}{Hmmmm. You as tough as you look, honey-tits?}
{402}{}{Me bench}
{403}{}{Me no do bench me do woman}
{404}{}{Me money-tits}
{405}{}{Me tuff}
# 19. ME BENCH/ME NO DO BENCH (18)
{415}{}{Riiiiight. Pal, I know where you're coming from, and I know EXACTLY where you're going. You like to act?}
{416}{}{Riiiiight. Honey-tits, I know where you're coming from, and I know EXACTLY where you're going. You like to act?}
{417}{}{Me like stuff}
{418}{}{Act like what}
# 20. ME LIKE STUFF (19)
{425}{}{No shit? So do I! We have so much in common already! See, we're a studio, we make MAGIC here. You…}
{426}{}{you, pal, can be PART of that magic!}
{427}{}{you, honey-tits, can be PART of that magic!}
{428}{}{Okee-Dokee}
{429}{}{Magic! Magic! Me like magic!}
# 21. ACT LIKE WHAT (19)
{435}{}{Act like a BEAST. Like a wild rhino. A primal animal, built only to harness his lust for the gratitude of the masses! MAGIC, BABY, MAGIC! THAT'S what I'm talking about!}
{436}{}{Act like a BEAST. Like a wild mynx. A primal animal whose SOUL desire is to enflame the lusts of the masses! MAGIC, BABY, MAGIC! THAT'S what I'm talking about!}
# 22. MAGIC! MAGIC! ME LIKE MAGIC! (20, 21)
{445}{}{X-cellent! Now, time for a try-out. I need to see how you get over the 'hump.' }
{446}{}{You game, pal?}
{447}{}{You game, honey-tits?}
{448}{}{Oh-Kay}
# 23. OKEE-DOKEE!/SURE! (22, 44, 59)
{455}{}{Let's do it, then! No time to lose! Hey! Somebody get me an extra! }
{456}{}{Alright, pal, time to shine…}
{457}{}{Alright, honey-tits, time to shine…}
{458}{}{Do as the odd man directs…}
{459}{}{You bet. You ain't seen NOTHING yet.}
# 24. POOR AGILITY (23)
{465}{}{Sorry, pal, yer just not FLEXIBLE enough for what we need. Work on it, and maybe we can talk business later, okay?}
{466}{}{Sorry, honey-tits, yer just not FLEXIBLE enough, for what we need. Work on it, and maybe we can talk business later, okay?}
{467}{}{Me LIKE doooo-ing business here. Me be BACK}
{468}{}{*Snffff* O-kay. *Snffff* Me feel used}
{469}{}{I'll try and work on my agility. Maybe next time.}
{470}{}{I might be back. After a shower. A long shower.}
# 25. POOR CON (23)
{475}{}{Sorry, pal, yer handsome and yer flexible enough, it's just that y'ain't got the, uh, stamina we need... Work out a little, and then maybe we do some business, okay?}
{476}{}{Sorry, honey-tits, yer pretty and yer flexible enough, it's just that y'ain't got the, uh, endurance we need... Work out a little, and then maybe we do some business, okay?}
{479}{}{I'll try and work on my endurance. Maybe next time.}
# 26. POOR SEX EXPERIENCE (23)
{485}{}{Sorry, pal, yer handsome, yer flexible, ye got the stamina of a brahmin, but y'need a bit more experience in the sack before we can do business, okay? We ain't got the time to train you.}
{486}{}{Sorry, honey-tits, yer beautiful, yer flexible, ye got the endurance, but y'need a bit more experience in the sack before we can do business, okay? We ain't got the time to train you, sweetmeat.}
{489}{}{I'll try and increase my uh, 'experience.' Maybe next time.}
# 27. PLAYER IS A STAR! (23)
{495}{}{Pal, that was in-credible. }
{496}{}{Honey-tits, that was in-credible. }
{497}{}{You were gold out there, pure Reno gold! That performance was worth a THOUSAND hard-ons! You wanna do a movie with us? C'mon, let's talk, baby, let's TALK!}
{498}{}{Okee Dokee …me talk with you. Me wanna do that stuff again and again}
{499}{}{Uh-uh. Me wanna go now. Me feel dirty inside}
{500}{}{I'm interested. My price: 200 chips a…shot.}
{501}{}{I'm interested. But first, some conditions. First off, I only work with CLEAN actors, I expect at least 500 chips for each shoot, 20% royalties, and no BULLSHIT. I'm a star, and you know it.}
{503}{}{No way. I need a shower. A long shower.}
# 28. OKEE DOKEE . . . ME TALK WITH YOU . . . (27, 29)
{515}{}{(He yanks out a piece of paper from his jacket, and has you to scrawl an "X" on it.) Done! Let's film! First, you'll need a stage name, something that screams STAR. Any ideas?}
{516}{}{(He yanks out a piece of paper from his jacket, and directs you to scrawl your signature on it.) Done! Let's film! First, you'll need a stage name, something that screams STAR. Any ideas?}
{517}{}{Awright - how about another name?}
# 29. I'M INTERESTED, BUT . . . (SMART) (28)
{525}{}{I...hmmmm...I...hmmmm. Look, I'll agree to the 500 chips, but NO ROYALTIES. You hear me?}
{526}{}{All right.}
{527}{}{No deal. I'll be seeing you.}
{528}{}{No royalties, no }
{5528}{}{. I'm outta this chicken-shit studio.}
# 30. INPUT LINE: X = NOT RECOGNIZED. (28)
{535}{}{All right! "}
{5535}{}{!" I LIKE it! I LIKE it! Now, let's FILM…}
{6535}{}{! Lights! Camera! Action!}
{536}{}{Achtung! Achtung!}
{537}{}{Get down to business.}
# 31. INPUT LINE: X = RON JEREMY. (28)
{545}{}{Eh…not THAT name, 'kay? Bad ass-ociations. I mean, nobody wants to see anybody named that in any decent porno. Choose another name, eh?}
{546}{}{Okay…}
{547}{}{But me really LIKE name}
{548}{}{But I really like that name.}
# 32. INPUT LINE: X = DIRK DIGGLER. (28)
{555}{}{Now, THAT'S a name so bright and so sharp, that it'll just EXPLODE because it's just so powerful! Good choice, pal, good choice. Now, let's FILM! Lights! Camera! Action!}
{556}{}{Now, THAT'S a name with some history and magic associated with it. Good choice, pal, good choice. Now, let's FILM! Lights! Camera! Action!}
{557}{}{Now, THAT'S a name with some magic associated with it. Good choice, honey-tits, good choice. Now, let's FILM! Lights! Camera! Action!}
# 33."FILMING" FADE. (30, 31, 32)
{565}{}{All right! All right! Let's do this, people! Come on! Look alive! You ready?}
{566}{}{Me ready like freddie}
{567}{}{I was BORN ready.}
# 34. FILMING DONE (STUPID) (33, 48)
{575}{}{All right then, my volcanic pal. We're done for today. STELLAR performance! STELLAR! And that money shot! Perfect! You want to do another, you come back and see us in a month, you hear?}
{576}{}{All right then, honey-tits. We're done for today. STELLAR performance! STELLAR! You want to do another, you come back and see us in a month, you hear?}
{577}{}{Okee…Bye-bye}
# 35. FILMING DONE (SMART) (33, 48)
{585}{}{Cut! All right then, pal. }
{586}{}{Cut! All right then, honey-tits. }
{587}{}{That's a wrap. STELLAR performance! }
{588}{}{And that money shot! }
{589}{}{And that crooning! }
{590}{}{Perfect! Here's your cut: }
{591}{}{200 chips. }
{592}{}{500 chips. }
{593}{}{You want to do another, you come see us in a month, you hear?}
{594}{}{All right then.}
# 36. UH, WHAT'S A fluffER? (UGLY) (14, 58)
{610}{}{You yanking my member? Look, if you gotta ask, then you AIN'T the person for the job. Now whaddya want?}
{612}{}{A job, huh? Well then, I AM a fluffer. The best fluffer in the business.}
{613}{}{Um, nothing. I must be in the wrong place.}
# 37. UH, WHAT'S A fluffER? (ATTRACTIVE) (14, 58)
{620}{}{Whoa, what am I thinking? You come in here, a class act, and I babble like an idiot! Look, pal, sorry 'bout that. Say, um, you looking for work? None of that fluffing crap. I'm talking ACTING, see?}
{621}{}{Whoa, what am I thinking? You come in here, a class act, and I babble like an idiot! Look, honey-tits, sorry 'bout that. Say, um, you looking for work? None of that fluffing shit. I'm talking ACTING, see?}
{622}{}{First off, what is this place?}
{623}{}{If there's a steady paycheck in it, I'm interested.}
# 38. SURE AM. (UGLY) (14, 36, 40, 41, 42, 43)
{630}{}{Awright then. Head to the back, start waxing the shafts. Here's your pay: 5 chips.}
{631}{}{Do as he says.}
{632}{}{Um, actually, I changed my mind. No thanks. I'd best be going now.}
# 39. MY SPOUSE IS. (14, 58)
{640}{}{Yer spouse, huh? Hmmmmm. Awright. Have yer life partner head to the back, start spit-shining the shafts. Here's the pay: 3 chips.}
{641}{}{Do as the man says, Davin-honey. Do }
{5641}{}{ proud.}
{642}{}{Do as he says, Miria my sweet. NOW.}
# 40. WHAT'S THIS PLACE? (14, 36, 37, 47, 48, 58, 59)
{650}{}{This place? C'mon, what, you jokin' with me? This here's the Golden Globes, a FILM studio, the only one in Reno, probably the ONLY one still erect and standing. What, you don't know your own home? That hurts!}
{651}{}{This place? This here's the Golden Globes, a FILM studio, pal, the only one in Reno, probably the ONLY one still erect and standing, see? Now, you gonna talk my ears off, or you wanna job?}
{652}{}{This place? This here's the Golden Globes, a FILM studio, honey, the only one in Reno, probably the ONLY one still erect and standing, see? Now, you gonna talk my ears off, or you wanna job?}
{653}{}{This old place? This here's the Golden Globes, a FILM studio, probably the ONLY one still erect and standing in the world. But enough about this place'you looking for a job, pal? We NEED talent like you.}
{654}{}{This old place? This here's the Golden Globes, a FILM studio, probably the ONLY one still erect and standing in the world. But enough about this place'you looking for a job, honey-tits?}
{655}{}{How do you "film?" I mean, c'mon…you'd need cameras, film, projectors…where would you get all that stuff?}
{657}{}{No thanks. I have to be going.}
{658}{}{Just checking. I've been feeling a little drained, lately.}
# 41. WHERE DO YOU GET THE STUFF (ATTRACTIVE) (40, 52, 55)
{670}{}{We lucked out…we don't NEED any of that stoneage crap. We stumbled across a WORKING porno…er, holo…graphic projector. No bulky equipment, no fuss…and no unsightly mess.}
{671}{}{Reeeeally…what specs does the projector have?}
{672}{}{I see…well, look: I'm interested in a job, if you're still offering.}
{673}{}{Nice talking to you, but I have to be going.}
# 42. SPECS (41)
{680}{}{Well…we ain't hit capacity on the QEWB drive yet - near as I can tell, it's about a 300 GB high density memory cube. Even though the Winblows 57 O.S. eats up 70-75% of that, we could film for a hundred years on that cube.}
{681}{}{Where is this cube now? Can I see it?}
{683}{}{Wow. That's a LOT of porn. I think I'm going to go think about that for a while.}
# 43. CUBE (42)
{690}{}{No, we try and keep everybody outta the film room'everybody wants to throw in their two cents when it comes to editing and storage. 'Sides, the cube's gold to us - wouldn't want anything to happen to it.}
{692}{}{Makes sense. God knows what use some thief could put that cube to if they got their hands on it. Oh, well. Bye!}
# 44. I'll TAKE A JOB . . . (ATTRACTIVE) (37, 40, 41, 42, 43)
{700}{}{X-cellent! A-course, I'll need ta see what yer made of, a little try-out to see how you get over the 'hump.' You game, pal?}
{701}{}{X-cellent! A-course, I'll need ta see what yer made of, a little try-out to see how you get over the 'hump.' You game, honey-tits?}
{702}{}{Sure.}
{703}{}{Uh, no thanks. I've changed my mind. Some other time.}
# 45. FUCK OFF! (50)
{710}{}{Then get the hell outta here, you little shit! We don't need you! Get lost! You'll never work in porn again!}
{711}{}{Me no want to anyway! SO THERE!}
{712}{}{Screw you! You're not my boss. You're not the boss of me. I'm the fucking boss of }
{5712}{}{!}
# 46. BROS. PISSED (WTG)
{720}{}{Get outta here. I got nothing to say to you.}
{721}{}{Me and you got nothing to say to each other. Blow.}
# 47. PORN STAR, LESS THAN 30 DAYS (WTG)
{730}{}{Hey, welcome back, }
{5730}{}{! We ain't shooting today, but try back again soon. }
{732}{}{Can you tell me a little about the studio first?}
{733}{}{I'm glad you said that. See, I'm here for Big Jesus Mordino's money.}
{734}{}{All right. I'll try back later.}
{735}{}{(Winks.) You're money, baby, nothing but money!}
# 48. PORN STAR, MORE THAN 30 DAYS (WTG)
{740}{}{The Corsican Brothers at yer service… (The man glances up, smiles.) Hey, welcome back, }
{5740}{}{! You looking to go at another film session?}
{743}{}{Sure am. Let's break some bedsprings.}
{745}{}{Not really. I'm here for Big Jesus Mordino's money.}
{746}{}{No thanks.}
# 49. NO THANKS (48)
{755}{}{Whoa...you don't WANT to do it?! What, you too GOOD for us, now? We made you what you are, …}
{5755}{}{!… And don't you forget it!}
{756}{}{Me not forget no get mad make me sad me come back but me got to go now}
{758}{}{Ignore him and wander off}
{759}{}{Calm down. I just don't want to shoot today, okay? Sheesh. I'll just come back later when you've cooled off.}
{760}{}{Screw you guys. I don't need this brahmin shit. I'm a star! A big bright shining star!}
# 50. DRUGS . . . (48)
{765}{}{Hey...you all right? You seem a little out of it. You ain't on drugs, are you? Cause I AIN'T gonna shoot you like this.}
{766}{}{Me want to film NOW little person}
{768}{}{You're not the boss of me! I want to fuck, it's my big dick, so everybody get ready to fucking film right NOW.}
{769}{}{You're not the boss of me! I want to fuck, it's my big vagina, so everybody get ready to fucking film right NOW.}
{770}{}{All right. I'll try back later when I've, uh, calmed down.}
# 51. PRIZEFIGHTER, BUT NOT PORN STAR (WTG)
{780}{}{The Corsican Bros at yer service… (The man glances up, irritated, then does a double take.) Holy...}
{5780}{}{?! How come you ain't been by earlier? Great fight by the way! Great fight! What can I do for you?}
{781}{}{Me 4! Me 4!}
{782}{}{Nothing}
{783}{}{What is this place?}
{784}{}{Can you tell me a little about the studio?}
{785}{}{Got any…openings…I could fill?}
{786}{}{Got any work for someone like me?}
{787}{}{I'm here for Big Jesus Mordino's money.}
{788}{}{Nothing. Sorry to bother you.}
# 52. PRIZEFIGHTER: WHAT IS THIS PLACE? (51)
{795}{}{The Golden Globes studio, the studio for all talent in what remains of the world. And you, friend, you could be a STAR, know what I'm saying? You interested in acting?}
{797}{}{Sure. Are you serious?}
{799}{}{Not at the moment. Sorry to bother you.}
# 53. ANY OPENINGS? (51, 52)
{805}{}{Hell, yes! Let's try you out! Hey! Get me some extras here! We gotta us a star in the making!}
{806}{}{Do as the man directs...}
# 54. MADE MAN, BUT NOT PORN STAR (WTG)
{810}{}{The Corsican Bros at yer service… (The man glances up, irritated, then does a double take.) Holy...uh…hey, how you doing, }
{5810}{}{?! How's Boss }
{6810}{}{? Have a seat! So, um, what can I do you for?}
{812}{}{Nuthin}
{813}{}{What is this place?}
{814}{}{Indulge me. Tell me a little about this studio.}
{815}{}{Good question. You got any…openings…I could fill?}
{816}{}{Good question. Got any work for someone like me?}
# 55. MADE MAN: WHAT IS THIS PLACE? (54, 57)
{825}{}{The Golden Globes studio, THE studio for all talent in what remains of the world. So...uh, what can I do for you today?}
{827}{}{You got time to audition ME? I'm thinking I could be a star, you know what I'm saying?}
{829}{}{Nothing today. Sorry to bother you.}
# 56. MADE MAN: AUDITION ME? (54, 55)
{835}{}{Um, sure. Sure. Let's, uh, give you a try. See if you got what it takes. I mean, we're pretty booked, but we can try you out, okay? Uh…some extras over here, please! Hurry up!}
{836}{}{Do as the man directs.}
# 57. I'M HERE FOR THE MONEY (14, 47, 48, 51, 52, 54, 55, 58, 59)
{845}{}{Um, sure, sure! Sure...here ya go. 250 chips. And, uh, say hello to Big Jesus for me, okay?}
{846}{}{Um, sure, sure! Sure...sorry about the misunderstanding. Here ya go. 250 chips. And, uh, say hello to Big Jesus for me, okay?}
{847}{}{Before you're all quick to run me outta here, why don't you tell me about your little operation, slick?}
{848}{}{Yeah. Maybe. Later for you, pal.}
# 58. SECOND TIME (WTG)
{855}{}{Corsican Brothers at yer service… (Glances up.) You again. You looking for more work, Mister
Fluffs-A-Lot?}
{856}{}{Corsican Brothers at yer service… (Glances up.) You again. You looking for more work, Little Miss Fluffs-a-Lot?}
{857}{}{Corsican Brothers at yer service… (Glances up.) You! What HAPPENED to you? I mean, it's good, it's good…I musta missed
something before. You were interested in fluffing, was that it?}
{861}{}{Uh, what's a fluffer?}
{862}{}{Yeah. Is there any more work for me?}
# 59. SECOND TIME (WTG)
{875}{}{Corsican Brothers at yer service… (Glances up.) Hey! You thought about my offer? Eh?}
{876}{}{Corsican Brothers at yer service… (Glances up.) Hey! You want another try-out? Is that it?}
{877}{}{Corsican Brothers at yer service… (Glances up.) Hey! You thought about my offer? You wanna go again, see if you still got the magic? Eh?}
{879}{}{Doh-Kay}
{881}{}{Yes. I've changed my mind. Should I just whip it out or…?}
{882}{}{Yes. I've changed my mind. Should I just drop my pants or…?}
# 60. ENCLAVE_DESTROYED (WTG)
{895}{}{… I heard about your X-ploits…how you blew the rig of every member in the Enclave. That took a stomach of iron.}
{896}{}{Yup}
{897}{}{Nup}
{899}{}{Uh, I didn't blow every member of the Enclave. You see, what happened was --}
{900}{}{I better go.}
# 61. ENCLAVE_DESTROYED, PT 2 (60)
{910}{}{Don't be modest. I know it must have sucked. Most people wouldn't have had the stomach for it. But you swallowed your pride and did who had to be done. THAT'S star power.}
{911}{}{Yup}
{914}{}{Uh, look, I DIDN'T blow every member of the Enclave, see --}
{915}{}{I better go.}
# 62. ENCLAVE_DESTROYED, PT 3 (61)
{920}{}{Know what I'm thinking, }
{5920}{}{? I'm thinking about a feature film based on your X-ploits. We'd call it 'Pullout: Post-Nuclear Boogalo.' Are we together on this? Eh?}
{921}{}{Yer a hero, }
{5921}{}{. A genuine hero. I'm not gonna forget all the shit you had to swallow for us. And once all the box office receipts come in, the whole world will know, too.}
{922}{}{Yup}
{924}{}{Yuppity-yup. Byeeee}
{926}{}{Sure, what the hell. I solved this game. Let's do it.}
{927}{}{Greeeeat. Thanks...}
{928}{}{Let me go save the game first, then I might come back and do it.}
# 63. CUBE GONE (WTG)
{935}{}{Ruined. We're ruined.}
{936}{}{Without that cube…ruined.}
{937}{}{Oh, cruel, cruel sex gods! What offense did we give you that caused you to take the cube from us?}
{938}{}{::Sigh:: With the cube gone, maybe I should take up macram….}
# Display Messages
# stupid dude
{1000}{}{Me feel sicky-sick in belly.}
# regular dude
{1100}{}{Ack! ::spit, spit:: That SUCKED!}
{1101}{}{You have a foul, unhealty taste in your mouth, and you feel sick to your stomach. But hey, 5 chips is 5 chips!}
# spouse
{1200}{}{I...don't feel so good.}
{1201}{}{True love triumphs once again. Your spouse looks deathly ill, but at least you're 3 chips richer!}
{1250}{}{You have become a star. A big, bright shining star.}
# END-LINES
{5200}{}{! Just the hero we wanted to see!}
{5201}{}{, our hero friend, have we got a deal for you!}
{5202}{}{! We heard about what you did to the Enclave! Now let's discuss what we can do for YOU…}
{5225}{}{ is gold. Pure gold.}
{5232}{}{! Sweetheart! Honey-tits!}
{5246}{}{. Nice weather today, huh?}
{5252}{}{?}
{5256}{}{, if you WANTED to do a shoot with us…}

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